By Rocío G. Davis, Dorothea Fischer-Hornung, Johanna C. Kardux
This quantity analyzes leading edge different types of media and tune (art installations, tv ads, images, motion pictures, songs, telenovelas) to check the functionality of migration in modern tradition. even though migration reviews and media stories are ostensibly diverse fields, this transnational number of essays addresses how their interconnection has formed our knowing of the paradigms by which we predict approximately migration, ethnicity, state, and the transnational. Cultural representations interfere in collective ideals. artwork and media sincerely impact the methods the adventure of migration is articulated and recalled, intervening in person perceptions in addition to public coverage. to appreciate the relationship among migration and various media, the authors learn how migration is represented in movie, tv, track, and paintings, but in addition how media form the ways that host nation and place of origin are imagined. one of the subject matters thought of are new mediated kinds for representing migration, widening the point of view at the methods those representations can be analyzed; readings of enactments of reminiscence in trans- and inter-disciplinary methods; and discussions of globalization and transnationalism, inviting us to reconsider conventional borders in admire to migration, state states, in addition to disciplines.
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Additional info for Aesthetic Practices and Politics in Media, Music, and Art: Performing Migration (Routledge Research in Cultural and Media Studies)
Attitudes toward immigration. The former incarnates Diederichsen’s “natural disaster-like dehumanized floods of evil masses,” populations whose utility fades when they violate the limits of movement and reject assimilation in favor of maintaining their alien difference. Moreover, they remain and multiply, threatening to overwhelm the host with unassimilable hordes of different beings who not only would compete for resources but also could bleed dry their hosts, outnumbering and eventually eliminating them completely.
Open border. ” The conflicted character Mr. Vargas was of course speaking circa 1958, when the real President Eisenhower had just started Operation Wetback to make the open border a bit less so. S. administration has tried to tighten the open border even more, waging war on drugs, illegal immigration, and terrorists (from Mexico or the Middle East). S. ”1 There would be no need of machine guns, with every inch observed by high-tech cameras and sensors and/or blocked by a wall. Elsewhere Payan writes, “The border is a paradoxical place.
Read as immigration, it’s too late to watch the border. Similarly, the 2008 The Day the Earth Stood Still replaced the earth’s nuclear threat to the cosmic union of peaceful planets with humankind’s ecological threat to the earth itself. This threatens the well-being of the advanced planets because earth is one of the few inhabitable planets available in the cosmos. Yet the second Klaatu is never seen as similar in species because he inhabits a body generated from genes stolen from an earthling.
Aesthetic Practices and Politics in Media, Music, and Art: Performing Migration (Routledge Research in Cultural and Media Studies) by Rocío G. Davis, Dorothea Fischer-Hornung, Johanna C. Kardux