By Michael Cunningham
From Michael Cunningham, the Pulitzer Prize-winning writer of The Hours, comes this greatly praised novel of 2 boyhood buddies: Jonathan, lonely, introspective, and uncertain of himself; and Bobby, hip, darkish, and inarticulate. In ny after collage, Bobby strikes in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who's homosexual, to father Clare's baby. Then, while Clare and Bobby have a child, the 3 flow to a small condominium upstate to elevate "their" baby jointly and, with a wierd pal, Alice, create a brand new type of relations. A domestic on the finish of the World masterfully depicts the charged, fragile relationships of city existence today.
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Additional info for A Home at the End of the World: A Novel
Volchek is troubled by the same pained awareness of existence as the narrator, appearing more human than dog because he "lived and thought like all people... Like me, he couldn't understand and couldn't rest from his thoughts and from life" (21). What troubles Volchek in particular is his timid nature, which causes him to shy away from the kind of gross indulgence of his physical self in sex and procreation vilified in Fedorov's writings as a hindrance to Utopia. The local dogs all fight over a bitch named Chaika whenever she comes into heat, but Volchek feels no such desire because he is constitutionally incapable of aggression.
The well-known "pessimism" of the later works would instead appear to derive from the fundamental complexity of Platonov's world view, not merely from disenchantment with developments in Soviet society. Though the early writings, and the journalism in particular, differ from those later works by juxtaposing to their expressions of doubt militant proclamations that the age of "consciousness" will indeed arrive, their waverings nonetheless prefigure the failure to which Utopian endeavors routinely succumb in works like "Epifanskie shliuzy," Chevengur, and Kotlovan.
These assumptions are exemplified in Fedorov's notion of how, exactly, the resurrection of the dead would be accomplished. Fedorov believed the literal resurrection of the body would be possible once science had mastered all the mysteries of man's physical and metaphysical being. Following preparatory work on the creation of a "new" body, in which an encyclopedic knowledge of all the "metamorphoses of matter" would enable man to replace his ailing parts with prosthetic organs, science would master the technique of reviving the recently deceased.
A Home at the End of the World: A Novel by Michael Cunningham